{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://aviary.ecds.emory.edu/iiif/qz22b8xg72/manifest","type":"Manifest","label":{"en":["Paper Panel 2: Omar García Brunelli, 2024-11-22"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/040/original/eu-logo-shield.png?1608761524","metadata":[],"provider":[{"id":"https://aviary.ecds.emory.edu/aboutus","type":"Agent","label":{"en":["Emory University"]},"homepage":[{"id":"https://aviary.ecds.emory.edu/","type":"Text","label":{"en":["Emory 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[Transcript]"]},"items":[{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"[Host] So let's go on to Omar García Brunelli,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=0.0,3.811"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he's a researcher and musicologist","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=3.811,6.139"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"at the Instituto Nacional\nde Musicología \"Carlos Vega,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=6.139,9.852"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and where he directs the research program,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=9.852,12.213"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"Antología Del Tango Rioplatense\",","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=12.213,14.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I think everybody must be familiar","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=14.22,16.47"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with his seminal work,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=16.47,17.823"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"it's just so fantastic,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=18.75,20.73"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"this anthology that they\nare undertaking there,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=20.73,24.693"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so, or that they have undertaken here,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=25.92,27.69"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he recently earned his\nPhD in History--bravo--","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=27.69,30.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and Theory of Arts from the\nFacultad de Filosofía y Letras","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=30.66,33.433"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"at UBA, with specialty in musicology.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=34.553,36.72"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He's the author of the\n\"Discografía Básica Del Tango\",","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=36.72,39.42"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you can read the whole title here","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=42.27,45.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and he's co-author with Carlos Kuri","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=45.63,48.685"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of \"El Octeto Buenos\nAires de Astor Piazzolla\",","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=48.685,50.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that's recent, both from\n2022, and the editor","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=50.55,54.515"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of \"Estudios sobre la obra\nde Piazzolla\", from 2008,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=54.515,57.995"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and \"El Mudo la Tango Ocho\nEstudios sobre Carlos Gardel\",","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=57.995,62.745"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in 2020, those are his most recent works.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=64.593,68.1"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So I will give you now\nOmar Garcia Brunelli.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=68.1,72.704"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience applauds)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=72.704,76.013"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"[Presenter] Thank you, Kristin.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=76.013,77.566"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(speaking indistinctly).","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=77.566,81.233"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(both speak indistinctly)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=84.798,88.298"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Okay.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=92.291,93.124"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(both speak indistinctly)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=94.987,98.487"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So, my paper is, the title is,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=127.767,130.473"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"The Creation of the New Tango:","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=130.473,133.05"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and The Ghosts of Ginastera,\nMulligan, and Salgán","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=133.05,135.72"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in Astor Piazzolla's\nMusical Brainstorming\".","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=135.72,140.097"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The sound is okay?","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=140.097,141.438"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- Perfect.\n- Yeah.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=141.438,142.271"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- Great.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=142.271,143.82"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"After a lifetime of arguments","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=143.82,145.83"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with his colleagues in\nthe field of tango music,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=145.83,149.528"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla attended a meeting\nin Buenos Aires in 1988,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=149.528,152.063"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"where he met many tango musicians.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=152.94,155.133"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"There was always,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=158.087,163.008"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a discussion about\nwhether Piazzolla's music","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=163.008,166.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was tango or not.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=166.26,168.0"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The relationship with\nthem had been manyfold.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=168.0,171.093"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He had worked with some","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=172.008,173.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and shared the tango\nmusic scene with others.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=173.16,175.623"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Indistinct) had always\nbeen close to Astor.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=177.019,180.45"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla has sometimes been disrespectful","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=180.45,183.393"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to Salgán, and he had almost\nhad his fist fight with Fidel.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=189.06,194.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He had to be a meeting of\ngeneral reconciliation.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=195.488,198.36"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In this meeting, Horacio Salgán was afraid","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=198.36,202.14"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that Astor would take the opportunity","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=202.14,204.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to provoke him, but he did not.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=204.15,207.085"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"On the contrary, Piazzolla\nexpressed some warm words.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=207.085,210.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He said, \"Today I realize the stupidity","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=210.27,214.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of having quarreled for so long.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=214.23,216.21"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"How can I not be a tango man?","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=216.21,218.073"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I still remember when\nI played with Troilo,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=219.63,222.696"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and when I listened to the\nthings Horacio Salgán did,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=222.696,225.463"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I thought, when will I be able\nto do something like that?\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=225.463,229.2"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Salgán was impressed and the meeting","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=229.2,232.41"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was very moving for everyone.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=232.41,235.053"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The quote emphasizes that","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=236.34,238.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"although Piazzolla often\ncriticized his colleagues","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=238.26,241.44"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and disapproved of certain\ntraditional tango orchestras,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=241.44,245.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"his deep connection to\nthe entire tango tradition","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=245.22,248.1"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was undeniable.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=248.1,250.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He knew all its styles and secrets.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=250.02,253.053"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Although tango was at the\nheart of Piazzolla's music,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=253.92,257.37"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he incorporated techniques and concepts","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=257.37,260.28"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from other genres, such as jazz,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=260.28,264.33"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and from other fields such as art music.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=264.33,267.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"However, he never wanted\nhis music to sound like jazz","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=267.66,272.37"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or anything else outside tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=272.37,274.443"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Astor was very creative","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=276.42,280.11"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the way he incorporated\nelements of art music","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=280.11,283.89"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"through Alberto Ginastera,\njust at different times,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=283.89,287.46"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but very significantly\nthrough some listening","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=287.46,290.19"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to Gerry Mulligan's\narrangements of the '50s","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=290.19,292.99"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and some of his tango contemporaries,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=293.903,295.8"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"especially Horacio Salgán.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=295.8,297.6"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In this paper I will\ntry to show the process","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=297.6,300.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of creative reception of\nGinastera, Mulligan, and Salgán","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=300.66,304.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in Astor Piazzolla's\npoiesis during the '50s.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=304.95,307.62"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla joined Aníbal\nTroilo's orchestra in 1939,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=309.868,314.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and stayed with him until mid 1943.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=317.1,320.313"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"With Troilo he learned all\nthe secrets of tango music.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=321.48,325.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In 1940, he began taking private lessons","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=325.02,328.5"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with the composer Alberto Ginastera.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=328.5,331.08"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The studies were systematic\nand comprehensive","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=331.08,333.78"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and continued until Ginastera traveled","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=333.78,335.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/91","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to the United States at the end of 1945.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=336.761,340.41"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/92","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Following Ginastera's advice,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=342.75,345.09"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/93","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla composed art\nmusic, premiered his works","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=345.09,349.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/94","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and won several prizes, while also 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modernism","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=356.845,360.468"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/97","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and a neoclassical style.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=360.468,362.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/98","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The first art music 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music,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=366.66,369.36"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/101","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was \"Tanguango\", in 1949.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=369.36,371.533"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/102","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And from then on he\nalways incorporated 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fugati.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=411.81,415.043"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/107","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The first time he wrote\na tango fugue was in 1946","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=416.301,420.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/108","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in a composition for his orquesta típica,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=420.06,424.13"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/109","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the tango \"Juan Sebastián Arolas\"\nand from then on fugati","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=424.13,425.52"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/110","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"would be a constant feature of his work,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=428.19,430.56"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/111","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"some of them as regular\npieces to close his residence.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=430.56,434.788"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/112","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(upbeat tango music)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=434.788,437.871"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/113","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This is not the Piazzolla's orchestra,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=458.22,459.623"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/114","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"this is recent recording.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=459.623,461.493"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/115","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He also began to use some\nprocedures (humming).","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=462.9,465.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/116","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla also translated his reading","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=468.157,469.68"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/117","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of Stravinsky in some rhythmic aspects","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=469.68,472.11"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/118","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and in the use of octatonic scales.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=472.11,474.86"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/119","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We can see these elements in\nsome works like \"Tango Ballet\".","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=477.39,480.477"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/120","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Piazzolla's \"Tango Ballet\" plays)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=481.693,485.943"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/121","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But he did not only transfer\ntechniques from art music","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=506.22,509.894"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/122","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to tango music, but also his\nunderstanding of Neoclassicism.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=509.894,514.08"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/123","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We can see this in 20 of\nhis tango compositions","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=514.08,517.11"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/124","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"written between 1951 and 1957,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=517.11,521.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/125","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and that till the\ninfluenced by his activity","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=521.16,524.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/126","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as an academic composer.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=524.85,526.68"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/127","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"For this reason, I have proposed\nthe term modernist tangos","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=526.68,530.67"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/128","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for this series of compositions,\nin which as we will see,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=530.67,535.14"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/129","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we often find the use\nof dissonance sonorities","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=535.14,538.08"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/130","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and elaborated melodic\nfeatures, harmonic interest,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=538.08,541.62"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/131","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"serious character, and even\nintense expressiveness.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=541.62,544.803"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/132","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Besides Troilo, the most important\ninfluences for Piazzolla,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=546.78,551.673"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/133","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"were the contemporary\norchestras of Osvaldo Pugliese.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=553.018,555.257"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/134","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"However, Troilo was his first influence,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=557.7,560.13"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/135","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the sound of his bandoneon","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=560.13,561.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/136","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and some nuances in his phrasing","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=561.66,564.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/137","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"definitively come from Troilo,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=564.27,567.21"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/138","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as an example, we can listen\nPiazzolla's solo in \"La cumparsita.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=567.21,571.203"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/139","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(gentle tango music)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=572.577,575.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/140","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"From Salgán, whose influence\nI consider to be fundamental,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=602.516,606.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/141","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he took some small details.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=606.15,607.983"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/142","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(upbeat tango music)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=610.038,613.121"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/143","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Sorry.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=631.26,632.61"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/144","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I miss a paragraph.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=632.61,634.423"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/145","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But Piazzolla was very attentive","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=639.63,641.04"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/146","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to innovations in tango music,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=641.04,642.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/147","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"especially those introduced\nby Pugliese and Salgán.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=642.57,645.963"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/148","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"From Pugliese he took\nthe strong decarean style","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=645.963,648.69"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/149","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and some compositional ideas,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=648.69,650.34"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/150","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"such as working with a repeated motif","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=650.34,653.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/151","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as in the tangos \"La yumba\"or \"Negracha.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=653.16,656.177"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/152","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In fact, Piazzolla\nrecording of \"Negracha\" in 1956,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=656.177,659.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/153","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which seems to be an\nenclosurement of his influences","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=659.91,663.6"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/154","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because that we, (indistinct),\nthe tango \"Negracha,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=663.6,666.917"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/155","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I will continue.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=670.393,671.583"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/156","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"From Salgán, whose influence\nI consider to be fundamental,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=673.087,677.67"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/157","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he took some small details.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=677.67,679.323"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/158","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(dramatic tango music)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=681.457,684.707"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/159","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Omar clears throat)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=692.215,694.297"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/160","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Well, with Salgán, Piazzolla\nshared the same musical scene","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=694.297,697.657"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/161","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as directors, Salgán organized\nhis first orchestra in 1944","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=697.657,702.657"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/162","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and kept it until 1947\nwhen he disbanded it.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=703.8,708.8"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/163","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In those years, Salgán\nperformed in important places,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=709.05,712.14"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/164","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but his orchestra was\nconsidered too strange","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=712.14,715.05"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/165","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and uncomfortable by tango dancers.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=715.05,717.573"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/166","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It sounds wonderful to us today\nas Piazzolla usually thought","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=718.53,723.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/167","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but was not easy to understand\nfor the traditional audience.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=723.06,727.17"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/168","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The main audience were fragmented","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=727.17,728.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/169","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and divided into different voices.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=728.85,730.89"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/170","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"There were too many layers","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=730.89,732.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/171","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and accompaniment was also very concrete.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=732.27,735.51"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/172","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"On his part, Piazzolla began conducting","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=735.51,738.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/173","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and arranging for an orchestra in 1943...","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=738.15,742.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/174","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"When he left Troilo and\nthen continued until 1948.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=751.29,756.21"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/175","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Years later, Piazzolla\nsaid that at that time","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=756.21,759.12"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/176","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"only Salgán and himself\nwere trying to innovate.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=759.12,763.05"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/177","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Regarding Salgán, he said,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=763.05,764.867"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/178","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"Horacio played some\nthings better than I did,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=766.2,770.677"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/179","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and that force me drink to\".","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=771.537,773.87"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/180","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We can compare the two orchestras","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=774.96,776.7"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/181","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and point out the difference between them.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=776.7,778.893"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/182","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I will resort here to the\ndescription of the style","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=779.85,782.09"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/183","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of Salgán's arrangement made\nby Kristin Wendland and Kacey Link.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=782.09,784.84"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/184","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In Salgán's arranging style,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=786.51,788.28"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/185","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the instruments fluidly changed roles","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=788.28,791.01"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/186","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"between melodic and accompaniment styles,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=791.01,794.82"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/187","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"emphasizing the melody was\nhis primary arranging concern,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=794.82,798.48"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/188","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he never neglected the\nlate motif of the war,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=798.48,801.18"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/189","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which had to be identifiable.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=801.18,803.117"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/190","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Salgán's prominent contrapuntal texture\nalso reflected his mastery","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=804.003,807.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/191","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of multiple melodic lines,\nquick changes in orchestrations","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=807.66,812.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/192","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"both between and within\nphrases also contributed","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=813.45,817.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/193","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to Salgán's cool and (indistinct).","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=817.02,818.937"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/194","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla arrangements on the other hand","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=820.627,823.29"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/195","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"had an unstoppable drive with\ngreat rhythmic continuity","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=823.29,827.388"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/196","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and were centered on the bandoneon line.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=827.388,831.33"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/197","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He used complex counterpoints and offbeats","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=831.33,834.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/198","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that interfered with\nthe regular dance beat,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=834.57,837.427"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/199","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a great variety of rhythmic\naccompaniment formulas,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=837.427,841.92"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/200","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and frequent use of the\nadditive 3-3-2 fill.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=841.92,844.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/201","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He was not interested in\nrespecting the leitmotifs","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=845.88,849.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/202","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the tangos, often modifying\nthem in rhythm and beats.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=849.66,854.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/203","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In my opinion, in those years,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=855.06,857.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/204","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Salgán's orchestra was much more modern","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=857.91,861.99"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/205","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and sophisticated than Piazzolla's.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=861.99,865.006"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/206","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla assuredly knew this,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=865.006,867.21"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/207","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and that is why he once said,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=867.21,870.337"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/208","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"When I will be able to\nwrite something like that?\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=870.337,874.29"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/209","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We can compare both orchestras playing","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=874.29,876.846"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/210","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the same tango\ncomposition \"Tierra querida.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=876.846,881.846"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/211","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(plays \"Tierra querida\" by Salgán)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=882.636,885.719"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/212","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now Piazzolla.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=909.027,910.194"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/213","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(plays \"Tierra querida\" by Piazzolla)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=924.232,927.315"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/214","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But before Piazzolla was\nable to achieve something","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=954.33,958.142"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/215","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with the orquesta típica\nthat was on a par with that","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=958.142,961.05"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/216","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of Salgán, he left the world of the tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=961.05,965.263"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/217","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla disbanded his orchestra","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=965.263,967.74"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/218","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and devoted himself to\ncomposing a lot of art music.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=967.74,971.64"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/219","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He only remained connected\nto tango as a composer","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=971.64,974.61"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/220","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and arranger of a few tangos,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=974.61,976.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/221","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"an activity with which he\nobtained economic resources","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=976.95,980.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/222","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to live.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=980.25,981.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/223","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"From 1950 to 1954, he\nwrote five important tangos","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=981.27,986.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/224","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for other orchestras to record.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=986.22,988.263"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/225","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"These first compositions are\nwhat I call modernist tangos.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=989.16,992.973"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/226","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla sold the\narrangements to each orchestra","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=995.039,997.5"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/227","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of these mainstream\ndirectors, Aníbal Troilo,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=997.5,1000.72"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/228","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Osvaldo Fresedo, José Basso, Francini-Pontier","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1000.72,1003.17"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/229","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Each of them made their own recordings,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1003.17,1005.12"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/230","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"thus generating a lot\nof rights for Piazzolla.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1005.12,1008.33"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/231","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Many of the elements that\nPiazzolla used in these tangos","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1008.33,1011.96"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/232","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in many of this case, rhythm and harmony,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1011.96,1014.72"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/233","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"came from the tools used for\nhis neoclassical language","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1014.72,1018.41"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/234","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the field of art music.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1018.41,1019.997"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/235","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The singular melodies have\nan irregular structure.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1019.997,1023.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/236","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He elaborates novel motives\nfor the rhythmic sections.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1023.63,1026.93"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/237","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He develops a less\npredictable harmonic taste","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1026.93,1029.72"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/238","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"than the canonical tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1029.72,1031.61"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/239","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"All these characteristics gave\na very distinctive profile","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1031.61,1035.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/240","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to these modernist tangos.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1036.32,1038.027"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/241","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"For example, section B, of \"Para lucirse,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1038.027,1041.207"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/242","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"consists of a melodic development","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1043.01,1045.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/243","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that defies the usual division\ninto four-bar phrases.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1045.23,1049.34"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/244","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The melody Piazzolla wrote","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1049.34,1050.75"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/245","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"does not begin with a\nsimple singular motif,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1050.75,1053.61"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/246","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"it is a serious, concentrated\nintellectual tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1053.61,1057.473"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/247","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The resources of tango interpretations","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1058.391,1060.44"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/248","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"are in the adult arrangement\nfor each orchestra.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1060.44,1063.92"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/249","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We will listen to the version written","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1063.92,1066.142"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/250","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for the Osvaldo Fresedo orchestra.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1066.142,1068.881"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/251","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(\"Para lucirse performed by Fresedo orchestra)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1068.881,1072.131"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/252","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But the most interesting\nthing about these tangos","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1111.44,1114.32"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/253","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is that in the last one, \"Lo que vendrá\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1114.32,1117.764"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/254","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"there is a surprising influence of Salgán.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1117.764,1120.476"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/255","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"For the first section, Piazzolla\nwrites its rhythmic motif","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1120.476,1123.89"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/256","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with a structure that he\nwill use many times later.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1123.89,1127.103"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/257","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It has a three-part structure","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1131.6,1134.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/258","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"an upbeat beginning with a rest,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1134.63,1136.64"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/259","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a central body of rhythmic\ncharacter and narrow melody,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1136.64,1140.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/260","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the last part, which is","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1140.27,1141.56"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/261","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"what I call the Rhythmic\nContraction New Tango, RCNT,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1141.56,1145.753"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/262","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and this contraction shortens\nthe initial two values","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1147.05,1149.84"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/263","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to prolong the last,\ncreating a syncopation.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1149.84,1152.633"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/264","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(plays \"Lo que vendrá\")","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1155.068,1158.151"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/265","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This RCNT is very important","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1163.43,1165.71"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/266","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because it is one of the foundations","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1165.71,1168.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/267","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on which Piazzolla will\nsystematically build","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1168.26,1171.127"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/268","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the melodic structure of\nhis new tango in the '60s.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1171.127,1174.207"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/269","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Salgán's influence is evident\nhere as his motif is clear,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1174.207,1179.207"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/270","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as this motif is clearly\nderived from the structure","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1179.54,1184.399"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/271","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the motif from \"A fuego lento,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1184.399,1186.2"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/272","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the revolutionary composition\nof Horacio Salgán.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1186.2,1188.857"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/273","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Omar speaks indistinctly)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1191.359,1195.327"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/274","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(plays \"A fuego lento\")","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1195.327,1198.41"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/275","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Then listen the two motifs\nby Troilo's orchestra.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1203.27,1206.363"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/276","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(plays \"A fuego lento\")","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1207.839,1210.922"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/277","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(plays \"Lo que vendrá\")","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1214.919,1218.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/278","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Salgán would not use this type of motif","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1218.63,1221.84"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/279","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in another composition,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1221.84,1223.46"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/280","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but Piazzolla will use it\nimmediately, several more times","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1223.46,1227.706"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/281","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as in \"Nonino,\" \"Adiós Nonino,\" and\n\"Melancólico Buenos Aires.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1227.706,1232.039"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/282","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(plays \"Nonino\" and then \"Adiós Nonino\")","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1233.138,1236.221"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/283","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(plays \"Melancólico Buenos Aires\")","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1244.737,1247.987"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/284","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And the most important thing is","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1249.645,1251.03"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/285","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that the RCNT contained in\nthe motif, as we will show,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1251.03,1255.83"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/286","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"begins to appear frequently","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1255.83,1257.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/287","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as a prominent element\nin the constructions","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1257.27,1259.73"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/288","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of Piazzolla's melodies.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1259.73,1261.56"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/289","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Hence this influence of\nSalgán's, which at first glance","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1261.56,1266.3"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/290","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was only a detail, became an aspect","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1266.3,1268.46"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/291","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of great importance in the\ncomposition of the new tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1268.46,1271.637"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/292","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We will now see something else","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1272.54,1274.969"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/293","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that Piazzolla took from Salgán.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1274.969,1277.636"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/294","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It is again a small detail","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1279.22,1281.0"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/295","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that appears in the 1957\nrecording of \"La última curda.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1281.0,1283.997"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/296","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In this wonderful arrangement,\nSalgán uses a fill","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1285.38,1288.09"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/297","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"after the verse \"buscando en el licor que aturda,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1289.01,1290.557"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/298","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"during which he adds a\nbar to generate tension","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1292.64,1295.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/299","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"before continuing on to the end.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1295.55,1297.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/300","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(plays \"La último curdo\")","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1298.956,1302.539"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/301","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Apparently it was the\nonly time Salgán used","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1306.64,1310.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/302","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"this kind of fill, but\nevidently Piazzolla heard it","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1310.43,1314.387"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/303","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and incorporated it into his writing","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1314.387,1317.09"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/304","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because as we will see,\nthis type of fill is one","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1317.09,1320.48"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/305","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the tools he will use when he designs","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1320.48,1323.36"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/306","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the jazz tango in New York.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1323.36,1324.953"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/307","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In 1954, Piazzolla traveled to Paris","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1327.26,1330.05"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/308","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to take lessons from the\nrenowned Nadia Boulanger.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1330.05,1333.05"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/309","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In Paris, Piazzolla listened\nto a lot of jazz records","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1333.05,1336.35"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/310","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and visited the interesting\nParisian jazz scene.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1336.35,1340.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/311","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He was struck by the performance\nof the jazz musicians,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1340.22,1343.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/312","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"how they enjoy playing the\nindividual joy of improvisation,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1343.55,1348.17"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/313","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the group enthusiasm.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1349.366,1351.304"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/314","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla found a big difference","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1351.304,1352.67"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/315","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"between this jazz performance","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1352.67,1354.53"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/316","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the performance regime","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1354.53,1355.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/317","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the tango musicians in\nthe cabarets of Buenos Aires,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1355.97,1359.54"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/318","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"too repetitive and extensive","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1359.54,1361.61"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/319","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with tired and bored musicians.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1361.61,1364.4"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/320","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The example of the jazz made him think","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1364.4,1367.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/321","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of creating an equivalent tango music","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1367.43,1370.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/322","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that would allow him to\nreformulate the tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1370.49,1372.81"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/323","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and also think of changing the places","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1373.646,1377.3"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/324","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"where it was played, taking the tango out","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1377.3,1380.0"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/325","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the cabaret into the concert hall,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1380.0,1382.64"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/326","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or the cafe concert.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1382.64,1384.83"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/327","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla had listened to\nGerry Mulligan records,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1384.83,1387.377"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/328","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he studied his band, as well as the arrangements","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1387.377,1391.82"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/329","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for \"Birth Of The Cool\",","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1391.82,1393.646"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/330","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and also some Stan Getz on records.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1393.646,1397.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/331","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Eventually with all this jazz listening","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1397.43,1399.943"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/332","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and art music writing in mind,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1399.943,1403.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/333","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla returned to tango performance,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1403.16,1405.593"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/334","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which he had abandoned in 1948.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1406.52,1409.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/335","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Towards the end of his stay in Paris,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1409.49,1412.207"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/336","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla recorded 16\ntangos with solo bandoneon","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1413.268,1416.337"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/337","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and string orchestra.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1416.337,1417.8"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/338","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This type of grouping\nwas a complete novelty","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1417.8,1420.59"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/339","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the world of tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1420.59,1421.68"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/340","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"There is some new jazz influence in them,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1421.68,1425.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/341","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but they are also modernist tangos","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1425.06,1428.09"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/342","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because they have features\nthat are consistent","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1428.09,1431.18"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/343","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with the tangos he had composed\nrecently in Buenos Aires.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1431.18,1435.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/344","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So the basis of these\narrangements is tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1435.95,1439.13"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/345","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with some jazz influence,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1439.13,1440.99"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/346","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the mastery of the writing is that","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1440.99,1443.007"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/347","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of an art music composer.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1443.007,1445.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/348","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We can listen to a\nfragment of \"Chau Paris\".","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1445.22,1448.854"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/349","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Piazzolla's \"Chau Paris\" plays)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1448.854,1452.937"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/350","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The jazz influence in some of\nthese recordings can be heard","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1485.509,1489.13"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/351","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for example, in the bandoneon\nsolo of \"Prepárense\",","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1489.13,1493.38"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/352","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with assembles a jazz\nsaxophone solo of the time","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1494.224,1497.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/353","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with its discontinuous successive ideas.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1497.57,1501.613"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/354","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Piazzolla's \"Prepáprense\" plays)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1501.613,1505.696"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/355","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"With his Parisian recordings,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1514.17,1516.338"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/356","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla makes a brilliant return","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1516.338,1518.989"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/357","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to the tango genre as a\ngreat arranger, composer","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1518.989,1519.822"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/358","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and bandoneon player.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1522.31,1523.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/359","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"For the first time he found\nhis own place in the tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1523.55,1527.42"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/360","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"far beyond the possibilities\nof the typical orchestra.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1527.42,1530.45"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/361","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He must have felt at that moment","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1530.45,1533.48"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/362","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that he was doing something equivalent","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1533.48,1535.58"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/363","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to his colleague Horacio Salgán,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1535.58,1538.066"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/364","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"whom he hold (indistinct).","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1538.066,1541.407"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/365","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla returned to Buenos Aires in 1955,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1541.407,1544.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/366","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and organized his two parallel projects,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1546.139,1548.899"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/367","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Octeto Buenos Aires, which\nincluded an electric guitar,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1548.899,1552.2"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/368","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"played by his jazz musician, although,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1552.2,1553.9"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/369","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with the indication that the\nimprovisations were not jazz,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1554.873,1559.016"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/370","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"an a string orchestra with solo bandoneon","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1559.016,1561.35"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/371","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"like the one in Paris.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1561.35,1562.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/372","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In both of them, we can\nstill hear the influence","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1562.97,1566.81"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/373","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of jazz and the concept of arrangement","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1566.81,1569.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/374","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the manner of Gerry\nMulligan or Stan Getz,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1569.06,1572.6"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/375","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that is fully written scores","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1572.6,1574.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/376","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with only a little room for improvisation,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1574.76,1578.09"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/377","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the concept but not the kind of music.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1578.09,1580.583"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/378","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Both the arrangement for Octet\nand for the string orchestra","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1581.93,1586.07"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/379","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"are much more innovative\nand original than Salgán's.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1586.07,1588.923"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/380","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"They truly mark the beginning\nof the new air in town.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1590.0,1594.29"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/381","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But evidently, Piazzolla\nhad not yet managed","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1594.29,1597.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/382","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to overcome the state of\ncompetition with Salgán.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1597.23,1601.004"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/383","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"With Octeto Buenos Aires, he\nrecorded, \"A fuego lento\",","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1601.004,1604.04"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/384","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the composition that had so\nmuch influence on Piazzolla.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1604.04,1608.987"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/385","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And he also wrote\narrangements of \"Mi refugio,\" \"Los mareados,\" \"Boedo,\" and \"El Marne.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1608.987,1611.337"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/386","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Piazzolla's Octeto Buenos Aires)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1616.809,1619.892"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/387","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Sorry (clears throat).","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1623.554,1625.649"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/388","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(papers shuffling)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1625.649,1628.566"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/389","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"All of them tango that Salgán\nhad previously recorded","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1630.007,1633.17"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/390","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with his orquesta típica.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1633.17,1635.158"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/391","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It is as if Piazzolla wanted\nto somehow settle his rivalry","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1635.158,1640.04"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/392","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with Salgán with this version,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1640.04,1642.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/393","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to show that he could surpass him.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1642.23,1644.87"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/394","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"With the two ensembles,\nhe recorded 42 tangos","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1644.87,1648.215"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/395","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"between 1956 and 1957, in\nwhich all the influences","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1648.215,1652.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/396","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"are already present.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1652.55,1654.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/397","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The ghosts of Stravinsky,\nMulligan and Ginastera","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1654.02,1657.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/398","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"intertwined in a tango\nembrace with Troilo,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1657.23,1661.084"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/399","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Salgán and Pugliese in the\ncomplex poiesis developed","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1661.084,1664.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/400","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with genius by Piazzolla.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1664.85,1666.353"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/401","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"With Octeto Buenos Aires, Piazzolla tried","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1667.461,1668.487"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/402","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to make his mark in the\nhistory of the tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1669.62,1672.35"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/403","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by breaking through as an avant garde.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1672.35,1675.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/404","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He even published an artistic manifesto.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1675.26,1678.62"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/405","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The repertoire he choose\nconsisted almost entirely","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1678.62,1682.52"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/406","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of classical tangos, which he reformulated","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1682.52,1686.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/407","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"until they were almost unrecognizable.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1686.06,1689.453"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/408","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We will listen now to \"Taconeando.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1690.496,1694.579"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/409","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(plays \"Taconeando\")","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1697.949,1701.032"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/410","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And now \"Boedo.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1712.728,1715.397"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/411","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now \"Boedo\", wait.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1735.735,1739.535"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/412","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience 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repertoire","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1770.499,1771.929"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/415","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"included more compositional\nexperimentation.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1771.929,1775.058"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/416","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Stravinsky's influences are recognized","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1775.058,1777.721"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/417","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as well as the use of\nthe motif with the RCNT.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1777.721,1781.554"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/418","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(\"Tres minutos con la realidad\" plays)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1783.687,1787.104"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/419","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And \"Melancólico Buenos Aires\".","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1809.847,1811.951"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/420","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Piazzolla's \"Melancólico\nBuenos Aires\" plays)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1811.951,1816.951"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/421","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"After the commercial failure of Octeto","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1821.562,1823.559"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/422","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the string orchestra in Buenos Aires,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1823.559,1826.119"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/423","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla decided to immigrate\nto the United States.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1826.119,1828.92"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/424","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He left in February, 1958.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1828.92,1832.64"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/425","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Once in New York, he found a\nway to enter the music world,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1832.64,1837.577"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/426","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and finally he was hired as an arranger.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1837.577,1841.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/427","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He worked on nine albums.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1841.43,1843.983"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/428","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He explained the last two albums","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1846.86,1849.113"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/429","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"were the famous jazz tango works.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1849.113,1851.51"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/430","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He explained that to his friends,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1851.51,1853.37"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/431","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that jazz tango was an attempt","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1853.37,1855.98"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/432","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to capture the American public","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1855.98,1858.11"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/433","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"whose ears were not\naccustomed to real tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1858.11,1861.08"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/434","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but who could be captivated","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1861.08,1863.09"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/435","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by familiar melodies\nplayed in tango rhythm.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1863.09,1865.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/436","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The famous LP, which he incorporated","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1865.91,1868.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/437","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the jazz tango concept is,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1868.76,1870.087"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/438","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"Take Me 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Piazzolla","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1875.42,1878.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/441","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and four classics of\nAmerican popular music.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1878.06,1881.18"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/442","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"On the back cover we read,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1881.18,1882.927"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/443","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"Today Piazzolla is the foremost exponent","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1882.927,1886.19"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/444","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the bandoneon and in this album,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1886.19,1888.929"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/445","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we able presents his theory","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1888.929,1891.74"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/446","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of mixing the jazz beat with the tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1891.74,1895.031"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/447","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and other Latin American rhythms.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1895.031,1897.348"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/448","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla calls the rhythm jazz tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1897.348,1900.188"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/449","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and it is this rhythm that\nis the essence of this album.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1900.188,1904.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/450","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla transforms the\nmelodies of the tangos","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1904.91,1907.67"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/451","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to adapt them to the\nrhythmic performance of jazz,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1907.67,1911.18"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/452","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and proposes the insertion of tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1911.18,1913.61"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/453","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the performance of jazz classics.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1913.61,1916.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/454","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It is not a juxtaposition,\nbut the true fusion","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1916.16,1919.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/455","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because there is a structural combinations","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1919.25,1921.75"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/456","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of musical elements\".","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1922.67,1924.737"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/457","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In \"Laura\", the bandoneon\nplays like a jazz improvisation","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1924.737,1929.737"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/458","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the accompaniment is written","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1930.62,1932.42"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/459","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and played by the piano, guitar vibes,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1932.42,1934.82"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/460","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so it doesn't work in the jazz way","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1934.82,1937.52"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/461","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"where the rhythm group\ndevelops the accompaniment","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1937.52,1940.4"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/462","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in an improvised 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model,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1946.412,1949.52"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/465","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which included the RCNT.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1949.52,1951.473"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/466","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(\"Laura\" plays)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1953.152,1956.235"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/467","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"On the other side, his tango \"Triunfal\",","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1969.32,1971.567"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/468","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he modifies the rhythm of the melody,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1973.22,1975.68"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/469","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"introducing the syncopation\nproduced by the RCNT","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1975.68,1979.506"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/470","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the first four measures.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1979.506,1981.37"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/471","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In the next four measures,\nhe modified the motif","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1981.37,1985.31"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/472","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and gives it swing by\nalso applying the RCNT.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1985.31,1990.31"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/473","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We will listen the classical version","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1992.06,1994.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/474","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and then the jazz tango version.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1994.91,1997.277"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/475","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(classical tango version of \"Triunfal\" plays)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=1998.179,2001.512"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/476","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(jazz tango version of \"Triunfal\" 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reiteration","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2035.56,2038.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/479","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with a melancholic effect.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2039.67,2041.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/480","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla coulds this\neffect with an ending based","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2041.95,2045.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/481","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on a descending dramatic scale","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2045.43,2047.74"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/482","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with a natural effect and a natural end.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2047.74,2050.56"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/483","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We can see the difference\nbetween Troilo's dramatic","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2050.56,2052.42"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/484","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and melancholic version according","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2052.42,2054.67"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/485","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to the original composition,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2054.67,2056.137"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/486","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the jazz tango arrangement.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2056.137,2057.793"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/487","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(\"Triunfal\" plays)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2058.804,2061.721"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/488","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla returned to\nBuenos Aires in 1960.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2068.948,2072.46"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/489","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Almost immediately, Nuevo\nTango began to take shape","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2072.46,2075.34"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/490","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as the final product of\nall the previous activities","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2075.34,2079.307"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/491","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we have seen.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2079.307,2080.635"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/492","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(jazz-tango version of \"Triunfal\" plays)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2080.635,2083.885"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/493","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You are missing the version","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2087.417,2089.386"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/494","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of jazz tango in this example, sorry.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2089.386,2091.236"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/495","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Piazzolla returned to\nBuenos Aires in 1960.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2092.074,2094.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/496","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Almost immediately, nuevo\ntango began to stay shape","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2094.57,2097.78"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/497","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as the final product of\nall the previous activities","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2097.78,2100.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/498","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we have seen.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2100.63,2101.463"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/499","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"One of Astor Piazzolla's first engagements","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2105.4,2108.31"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/500","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was his starring role\nin the television show,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2108.31,2111.347"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/501","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"Welcome Mr. Piazzolla\".","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2111.347,2113.65"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/502","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The title was in English in original.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2113.65,2116.143"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/503","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The sound of the\nbroadcast of August 1960,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2116.143,2119.17"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/504","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"has been preserved in a diary of recording","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2119.17,2121.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/505","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from the speaker of small television set.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2121.63,2124.75"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/506","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The sound is not good,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2124.75,2126.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/507","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but it gives us a glimpse\nof the script of the show","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2126.43,2129.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/508","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the repertoire that\nPiazzolla played in it.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2129.97,2132.88"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/509","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Astor humorously\nrecounted that in New York","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2132.88,2136.81"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/510","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"they didn't know the bandoneon,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2136.81,2138.724"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/511","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and that the record company executive","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2138.724,2140.53"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/512","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"had asked him to include coarse castanets","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2140.53,2143.32"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/513","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the arrangements, and that they said","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2143.32,2148.0"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/514","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that he didn't do real tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2148.0,2149.45"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/515","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The script is also full of\nexaggerations and inaccuracies.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2152.047,2156.347"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/516","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We'll listen to part of the program.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2158.05,2160.447"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/517","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Interviewer] Excuse me sir,\nMr. Piazzolla is rehearsing...","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2160.447,2165.447"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/518","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"this something it's not real tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2165.52,2168.375"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/519","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Interviewee] I'll have to check on that. Will you stay in the office,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2168.375,2172.335"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/520","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and take care of the phone?\"\n- [Interviewer] All right.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2172.335,2173.56"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/521","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"[Omar] The most important is a repertoire","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2173.56,2175.54"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/522","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he played on that program,\nhis modernist tangos,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2175.54,2179.138"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/523","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"such as, \"Tres Minutos con la realidad\",","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2179.138,2180.72"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/524","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and also the version of \"Laura\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2180.72,2183.13"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/525","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"recorded on the jazz tango disc.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2183.13,2185.65"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/526","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It was on this basis","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2185.65,2187.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/527","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that he began the nuevo\ntango applying the fills","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2187.27,2190.72"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/528","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the RCNT that he\nused so systematically","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2190.72,2194.35"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/529","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the jazz tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2194.35,2195.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/530","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We can see how this practice\ncontinued, for example,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2196.33,2200.743"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/531","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in a 1961 arrangement\nof the tango, \"Garua\",","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2200.743,2204.767"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/532","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in which he uses the same fill\nfrom the 1958 arrangements","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2204.767,2208.897"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/533","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of \"Derecho viejo\", in New York.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2208.897,2211.093"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/534","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(\"Derecho viejo\" plays)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2214.025,2217.108"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/535","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This is in Buenos Aires.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2223.78,2225.829"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/536","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(gentle tango music)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2225.829,2228.912"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/537","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(\"Garua\" plays)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2235.649,2238.566"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/538","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The nuevo tango was the result\nof a long brainstorming,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2247.033,2250.865"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/539","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"accomplished poiesis in which\nPiazzolla used his knowledge","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2250.865,2254.29"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/540","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of art music, but incorporated\nthe structural aspects","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2254.29,2258.851"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/541","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of Salgán and the swing of jazz.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2258.851,2260.68"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/542","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He brought his new ideas from Europe","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2260.68,2262.75"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/543","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or from the United States,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2262.75,2265.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/544","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but anchored them firmly\nin his standard religion.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2265.15,2269.073"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/545","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Thank you.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2269.073,2270.102"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136/annotation/546","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience applauds)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050#t=2270.102,2273.102"}]},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157811/file/288050/transcript/83136","type":"AnnotationPage","label":{"en":["English 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