{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://aviary.ecds.emory.edu/iiif/ht2g73966t/manifest","type":"Manifest","label":{"en":["Paper Panel 2: Romina Dezillo, 2024-11-22"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/040/original/eu-logo-shield.png?1608761524","metadata":[],"provider":[{"id":"https://aviary.ecds.emory.edu/aboutus","type":"Agent","label":{"en":["Emory University"]},"homepage":[{"id":"https://aviary.ecds.emory.edu/","type":"Text","label":{"en":["Emory 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[Transcript]"]},"items":[{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Host] So this morning,\nwe are on Paper Panel 2","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=0.0,4.377"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with Omar Garcia Brunelli\nand Romina Dezillio.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=6.72,10.456"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Romina, are you going first?","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=10.456,11.935"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"'Cause your...\n- Yes.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=11.935,12.768"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Host] Okay, so Romina\nis gonna first, okay.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=12.768,15.18"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Just to remind you who these\nwonderful colleagues are,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=15.18,18.453"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you can read their files.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=20.476,22.334"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Romina] You passed.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=22.334,24.292"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Host] I passed, Oi.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=24.292,25.292"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"There's Romina.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=27.017,28.267"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She's a researcher and musicologist","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=29.47,32.58"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"at the Instituto Nacional\nde Musicologia \"Carlos Vega\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=32.58,36.36"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in Buenos Aires,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=36.36,37.65"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and she studies Argentine\nprofessional women composers","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=37.65,40.65"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and performers in the first\nhalf of the 20th century","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=40.65,43.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from a feminist approach and\ncritical gender perspective.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=43.26,47.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Her teaching includes Argentine","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=47.25,48.93"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and Latin American Music History,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=48.93,50.94"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"considering cultural and\nsociological aspects.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=50.94,53.4"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She recently, brava,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=53.4,54.96"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"earned her PhD in History\nand Theory of Arts","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=54.96,57.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"at the Universidad de\nBuenos Aires, or UBA,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=57.63,60.54"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with a dissertation titled,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=60.54,62.132"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"Primeras compositoras\nprofesionales en Buenos Aires:","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=62.132,65.339"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"historias, mundos poético-musicales\ny legados feministas,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=65.339,70.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or, \"First professional women\ncomposers in Buenos Aires:","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=70.02,73.688"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"herstories, poetic-musical\nworlds and feminist legacies.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=73.688,76.47"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So many congratulations to you,\nRomina, on your recent PhD,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=76.47,81.47"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and with that, I will turn it over to you.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=82.62,85.953"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Romina] Thank you very\nmuch for the presentation.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=102.27,105.33"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Do you hear me well?","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=105.33,107.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yes.\n- Yes.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=107.22,108.053"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Romina] Okay, well, that's good.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=108.053,110.909"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Well, the title of my presentation","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=117.567,120.09"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is \"Getting to Know the Singing Styles","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=120.09,121.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the First Tango Cancionistas:","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=121.95,124.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Gender Performativity, Star\nSystem, and Sorrows of Love.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=124.26,127.913"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Tango cancionistas were\nthe female representatives","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=137.099,140.01"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the so-called tango cancion,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=140.01,144.387"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and they emerged in Buenos\nAires during the 1920s.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=144.387,147.543"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"While this new direction in tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=148.59,150.48"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"recognizes Gardel's\nfoundational contribution","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=150.48,154.44"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with his recording of \"Mi\nnoche triste\" in 1917,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=154.44,158.19"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"women brought the female\nexperience of tango to life","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=158.19,162.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"through radio broadcasts\nand recording labels,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=162.57,165.383"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and their voices vastly outnumbered\ntheir male counterparts.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=165.383,169.8"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Notable figures included Azucena Maizani,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=169.8,172.863"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"where is it.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=174.548,175.548"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Romina speaking faintly)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=176.748,180.86"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ah, sorry.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=180.86,182.283"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yes, notable figures\nincluded Azucena Maizani","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=189.51,193.656"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and Rosita Quiroga in 1923,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=193.656,195.748"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Libertad Lamarque in 1926,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=195.748,197.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and Mercedes Simone, Tania,\nand Sofía Bozán in 1927,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=197.49,201.669"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and so on.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=201.669,202.731"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Cancionistas garnered acclaim","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=202.731,204.84"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"not only from tango enthusiasts,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=204.84,206.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but also from consumers of the\nburgeoning cultural industry.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=206.97,211.353"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"They cultivated a loyal following","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=212.49,214.92"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that commuted from suburb\nneighborhoods to the city center","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=214.92,218.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to see their performances\nin prominent theaters,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=218.43,221.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"watched them in local cinemas,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=221.97,223.89"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"purchased their records,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=223.89,225.81"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"sang their songs in patios and streets,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=225.81,229.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"wrote them letters,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=229.02,230.19"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"voted for them in radio\npopularity contests,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=230.19,233.01"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and supported them through\npersonal acts of love.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=233.01,236.24"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In essence, these audiences became fans,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=236.24,239.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and cancionistas transformed into idols","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=239.43,243.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"within an emerging yet\neffective star system.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=243.15,246.603"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In this presentation,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=247.68,249.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I will focus on the singingcareers of Ada Falcón","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=249.63,253.087"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and Tita Merello.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=253.087,254.504"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Two sides of the female\npractice of tango canción.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=259.44,263.367"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The authentic Tita Merello\nand the charming Ada Falcón.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=263.367,268.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Let's begin by listening\nto their performances","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=268.23,271.65"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of popular tangos from the\nGuardia Vieja, Old Guard.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=271.65,275.264"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Tita Merello performs \"El choclo,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=275.264,277.248"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"composed by Angel Villoldo,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=277.248,278.88"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with lyrics added by\nEnrique Santos Discépolo.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=278.88,281.805"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"While Ada Falcón sings \"La morocha,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=281.805,283.98"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with music by Enrique Saborido","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=283.98,286.043"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and lyrics by (indistinct).","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=286.043,289.71"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Tita singing in Spanish)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=294.864,298.364"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Tita singing in Spanish continues)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=324.008,358.335"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Romina] Tita's rendition of \"El choclo\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=366.389,367.537"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is featured in the 1949 film\n\"La Historia del Tango.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=367.537,372.537"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This tango is a staple of the repertoire","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=373.132,376.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"infused with fashion and a\ncultural connection to tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=376.02,379.317"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"showcasing the authentic\nBuenos Aires slang, lunfardo.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=379.317,383.817"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/91","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Let's listen to Ada.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=388.293,389.96"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/92","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Ada singing in Spanish)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=393.88,397.297"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/93","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Ada singing in Spanish continues)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=423.008,427.258"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/94","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Romina] \"La morocha\"\nis another iconic tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=433.437,436.11"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/95","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and a milestone for female singers,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=436.11,438.54"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/96","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as it is considered the first tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=438.54,440.4"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/97","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"especially composed to be sung by a woman.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=440.4,443.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/98","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Originally intended for young girls","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=443.91,445.86"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/99","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to play and sing at home,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=445.86,447.21"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/100","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"its lyrics are lighter\nand more sentimental,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=447.21,450.12"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/101","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"evoking themes of love and romance.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=450.12,452.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/102","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The song is celebrated for\nits elegance and charm.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=452.97,456.78"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/103","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"From these two examples,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=456.78,458.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/104","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we can begin to explore the differences","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=458.22,460.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/105","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the performing styles\nof Merello and Falcón.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=460.02,462.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/106","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Although both were\nclassified as mezzo-sopranos","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=462.66,465.75"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/107","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ada's timbre briefly ascended\ninto soprano territories.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=465.75,469.8"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/108","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In contrast, Tita's singing","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=469.8,472.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/109","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"leaned more towards a\nraw declamation style,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=472.23,475.11"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/110","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"showcasing the guarachera\naccent from the arrabales,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=475.11,478.5"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/111","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a distinct cadence\ncharacterized by a drumming beat","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=478.5,482.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/112","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and a speech pattern that\nemphasizes the letters S and R.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=482.49,486.483"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/113","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ada Falcón and Tita Merello","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=492.916,494.31"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/114","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"lived throughout the 20th century.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=494.31,496.325"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/115","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Merello was born in 1904,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=496.325,499.05"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/116","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"followed by Falcón just a year later,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=499.05,501.6"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/117","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and both passed away in 2002.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=501.6,504.72"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/118","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"By around 1930,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=504.72,506.37"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/119","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"they became two of the\nmost iconic cancionistas.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=506.37,509.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/120","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In 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Ada,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=539.908,541.607"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/132","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"serves to highlight the contrasting worlds","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=541.607,544.05"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/133","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"these two women represent\nwithin the tango scene.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=544.05,547.65"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/134","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"According to Judith Butler,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=547.65,549.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/135","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"general performances\nare not just expressions","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=549.15,551.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/136","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of an existing identity.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=551.91,553.86"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/137","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"They actively shape and\nconstitute that identity.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=553.86,557.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/138","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This perspective suggests","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=557.49,558.99"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/139","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that gender is a fluid and dynamic process","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=558.99,561.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/140","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"rather than a stable inner trait.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=561.27,563.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/141","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"By engaging in specific 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\"Cambalache,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=613.976,615.789"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/158","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"described Merello as a\npatotero sentimental,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=615.789,618.99"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/159","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a paradoxical term that can be 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unambitious","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=648.18,651.6"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/170","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"regarding material wealth.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=651.6,653.103"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/171","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"However, she took pride of\nher self-made 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roots","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=665.85,669.24"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/176","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"within tango culture.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=669.24,671.101"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/177","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"On the other 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Gardel","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=695.91,698.903"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/188","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"used to kiss her on the eyes.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=698.903,701.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/189","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Other cancionistas claimed","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=701.49,703.08"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/190","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"it would have been impossible to compete","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=703.08,704.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/191","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with Ada's beauty.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=704.91,706.053"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/192","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I quote, \"She was the most\nbeautiful of all of us,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=707.34,710.19"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/193","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"said Azucena Maizani.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=710.19,711.24"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/194","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"No photo does her justice.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=712.297,714.24"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/195","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Her complexions and her eyes\nwere something to behold,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=714.24,717.81"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/196","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"echoed Tania.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=717.81,719.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/197","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The press refers to Ada","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=719.55,721.303"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/198","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as the Empress, the\nPriestess, the Soul of Tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=722.447,725.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/199","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"terms that introduced a\nmetaphysical 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time","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=739.71,740.82"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/204","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"when it was unusual for\nwomen even to drive,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=740.82,744.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/205","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"burning French perfume to scent her cowls,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=744.06,747.42"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/206","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or taking two-hour bubble bath,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=747.42,749.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/207","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"were considered delusions of grandeur","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=749.16,751.74"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/208","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"often compared to those\nof Hollywood divas.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=751.74,755.19"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/209","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"However, this penchant for luxury","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=755.19,758.64"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/210","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was just one facet of\nher artistic personality,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=758.64,761.64"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/211","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"balanced by a desire for\nredemption through mysticism.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=761.64,765.48"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/212","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Her regular church attendance,\ndevotion to the Virgin,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=765.48,768.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/213","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and unpredictable absences\nfrom artistic commitments","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=768.66,772.2"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/214","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"were precursors to the significant gesture","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=772.2,774.69"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/215","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that marked her disappearance in 1942.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=774.69,778.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/216","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"At the peak of her career,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=778.27,780.42"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/217","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ada Falcón abandoned everything","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=780.42,782.61"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/218","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and withdrew to the province of Cordoba","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=782.61,784.477"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/219","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to become a tertiary sister\nof the Franciscan Order,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=784.477,788.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/220","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"definitely closing the\nchapter of performer life.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=788.22,792.51"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/221","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"As you can see,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=792.51,794.01"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/222","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the images each of them\ndeveloped within the star system","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=794.01,797.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/223","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"were quite contrasting.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=797.76,798.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/224","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Tita Merello appears upfront,\nspontaneous, and approachable.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=802.794,807.41"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/225","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She represented and celebrated","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=808.35,811.44"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/226","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the amusement of the popular classes.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=811.44,813.9"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/227","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In contrast, Ada Falcón presented herself","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=813.9,816.84"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/228","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as unattainable,\nmysterious, and extravagant,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=816.84,819.69"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/229","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"embodying the glamor of the upper 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sorry,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=836.07,839.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/236","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of The Little Gem, La Joyita Argentina.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=840.2,843.0"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/237","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Despite their well-known love 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tangos,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=867.06,871.05"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/244","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"most of which were\nintended for theater plays.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=871.05,874.14"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/245","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Let's listen to this young Tita Merello.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=874.14,877.03"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/246","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Sorry.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=879.717,880.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/247","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The tango is called\n\"No es por hablar 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Belisario,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=931.2,935.1"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/254","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a man of dubious reputation who\nhas become a police officer.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=935.1,939.18"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/255","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"While the lyrics highlight\nreputation, sorry,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=939.18,942.45"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/256","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"while the lyrics highlight corruption","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=942.45,945.12"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/257","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and how the less disserving\noften rise in social status,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=945.12,949.2"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/258","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the typical irony of lunfardo\nadds a humorous touch","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=949.2,953.73"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/259","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that the music reflects\nthrough brief phrases,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=953.73,957.093"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/260","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"lively rhythmic guitars, and\nresponses from the chorus,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=958.14,961.92"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/261","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"all performed with Tita's\nunpretentious naturalness.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=961.92,966.0"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/262","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Surprisingly,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=966.0,967.17"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/263","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Merello would not return\nto the studio until 1954,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=967.17,970.89"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/264","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"when she recorded with\nFrancisco Canaro's orchestra","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=970.89,973.62"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/265","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for the Odeon label.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=973.62,975.21"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/266","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"However, during the '20s, '30s, and '40s,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=975.21,977.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/267","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"she performed many important tangos","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=977.91,980.52"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/268","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in popular theater plays and movies","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=980.52,983.13"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/269","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that were only recorded decades later.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=983.13,986.463"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/270","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm going to skip this one.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=992.074,994.324"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/271","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Romina speaking 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1919,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1000.289,1001.122"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/273","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"sorry.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1003.778,1004.803"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/274","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In 1932, Tita Merello performed\n\"La muchachada del centro\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1004.803,1009.68"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/275","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for the first time,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1009.68,1010.92"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/276","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a tango by Francisco Canaro and Ivo Pelay,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1010.92,1013.48"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/277","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in a play of the same name.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1013.48,1014.84"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/278","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This piece exemplifies\nTita's conversational style,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1014.84,1019.163"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/279","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"characterized by a certain\narrogance and marked diction.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1019.163,1023.18"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/280","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It showcases not only\nher talent as an actress,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1023.18,1026.96"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/281","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but also how she used those skills","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1026.96,1029.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/282","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to deliver tango lyrics effectively.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1029.06,1031.46"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/283","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In this song, the narrator\naddresses a young man","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1031.46,1034.79"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/284","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"who has fallen into economic hardship","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1034.79,1036.77"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/285","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"due to a societal crisis.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1036.77,1039.38"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/286","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The lyrics adopt a mocking 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no.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1068.3,1069.133"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/295","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I made a mistake.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1069.133,1071.173"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/296","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yes, it's the 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Tita.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1075.022,1076.185"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/299","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Tita singing in Spanish)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1076.185,1079.768"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/300","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Romina] Due to their 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tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1167.15,1170.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/311","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in a humorous context,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1170.15,1171.44"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/312","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"while Ada offered an\nearlier recorded 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elegant.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1176.09,1181.09"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/315","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Tita's expression is sarcastic,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1181.43,1183.59"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/316","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"whereas Ada's conveys 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\"Tango!\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1225.08,1228.77"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/331","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"alongside prominent tango singers","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1228.77,1231.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/332","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"such as Azucena Maizani,\nLibertad 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foxtrots,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1570.71,1572.42"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/405","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which were common at the time.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1572.42,1574.31"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/406","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"After the first four recordings in 1925","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1574.31,1577.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/407","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with Osvaldo Fresedo for RCA Victor,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1577.25,1579.62"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/408","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ada met Enrique 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trio","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1586.31,1589.73"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/411","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"until she encountered\nthe influential composer,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1589.73,1593.33"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/412","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"conductor, and producer, Francisco Canaro.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1593.33,1597.11"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/413","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Canaro took over her singing career","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1597.11,1599.75"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/414","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and managed it until 1938,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1599.75,1603.023"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/415","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which is why her\nrepertoire mainly included","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1603.92,1608.03"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/416","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"his compositions.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1608.03,1609.56"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/417","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"During their collaboration,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1609.56,1611.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/418","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"they recorded 197 tracks\nwith Canaro's orchestra","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1611.27,1615.53"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/419","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from the national label Odeon.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1615.53,1617.78"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/420","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In 1933, a popular tango\nmagazine declared Ada Falcón","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1617.78,1622.78"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/421","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the most recording of\nall tango cancionistas.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1623.15,1626.75"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/422","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In 1929, she began acting\nin radio broadcasts","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1626.75,1631.077"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/423","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and continued with great\nsuccess from 1933 to 1940.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1631.077,1634.64"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/424","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ada's repertoire is very different","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1640.915,1643.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/425","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from the humorous and sarcastic style","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1643.76,1646.01"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/426","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"typical of Merello at the time.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1646.01,1648.35"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/427","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Her profound ability to\nconvey deep emotions,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1648.35,1653.35"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/428","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"sorry, 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nostalgia.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1657.89,1662.89"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/431","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Let's listen to one of\nher sentimental tangos","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1663.14,1666.08"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/432","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from the early '30s titled, \"I Love 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discography","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1730.901,1733.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/437","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and prominent radio presence,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1733.55,1735.56"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/438","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ada Falcón's experience in some film","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1735.56,1738.41"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/439","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was both a debut and a farewell.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1738.41,1741.53"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/440","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In 1934, she starred\nin \"Ídolos de la radio\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1741.53,1746.33"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/441","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"alongside well-known tango figures","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1746.33,1748.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/442","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"like Ignacio Corsini and Tita Merello.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1748.97,1752.372"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/443","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Francisco Canaro not\nonly produced the film","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1752.372,1754.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/444","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but also serve as its music\ndirector and appeared as himself","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1754.85,1759.41"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/445","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"conducting the typical orchestra","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1759.41,1761.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/446","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In the film...","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1761.63,1762.697"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/447","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(dramatic melancholic music)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1764.616,1767.226"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/448","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Ada singing in 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youngest","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1780.514,1782.9"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/451","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of two single unemployed sisters","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1782.9,1786.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/452","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"who decided to enter a tango\ncontest to earn some money.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1786.23,1790.79"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/453","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Since this is the only\nmovie in which she appeared,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1790.79,1793.61"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/454","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"let's watch her performance\nof \"Sentimiento gaucho,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1793.61,1796.4"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/455","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a standard from the\nsentimental repertoire.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1796.4,1798.58"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/456","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Ada singing in 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Falcón,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1847.468,1850.943"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/459","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"yes, sorry.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1850.943,1852.585"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/460","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The reasons behind Ada Falcón's decision","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1852.585,1854.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/461","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to leave her career at its peak","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1854.63,1858.41"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/462","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for a life of voluntary\nconfinement remain unclear.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1858.41,1862.64"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/463","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The prevailing myth suggests","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1862.64,1864.98"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/464","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that her departure was motivated by love.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1864.98,1868.07"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/465","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It is believed that her\nrelationship with Francisco Canaro","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1868.07,1871.58"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/466","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"transcended professional\nboundaries into an illicit romance,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1871.58,1875.54"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/467","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as he was married and never divorced.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1875.54,1877.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/468","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It is also said that Canaro,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1877.97,1879.44"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/469","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"captivated by Ada's striking green eyes,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1879.44,1884.18"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/470","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"wrote the song, \"Yo no se\nque me han hecho tus ojos,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1884.18,1887.277"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/471","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"I Don't Know What Your\nEyes Have Done To Me.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1887.277,1889.937"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/472","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Let me do this because...","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1891.855,1893.938"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/473","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Okay.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1895.882,1896.715"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/474","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Which is a waltz actually,\nrather than a tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1899.63,1904.28"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/475","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ada recorded it in 1930\nshortly after its composition.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1904.28,1908.84"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/476","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Let's listen to a brief excerpt.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1908.84,1910.987"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/477","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(gentle expressive music)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1913.731,1916.039"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/478","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Ada singing in Spanish)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1916.039,1919.456"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/479","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(Ada singing in Spanish continues)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1946.088,1950.338"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/480","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Romina] Ada's most iconic\nfeature, her green eyes,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1959.44,1962.99"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/481","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is often associated with\nthe passion of her love.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1962.99,1966.29"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/482","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Although she sings in the first person,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1966.29,1968.6"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/483","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the lyrics are thought to\nreflect the infatuation","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1968.6,1972.17"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/484","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Falcón inspired in Canaro.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1972.17,1974.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/485","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"However, he never left his wife.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1974.15,1976.88"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/486","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Regardless of the reasons,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1976.88,1979.58"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/487","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ada felt a religious calling","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1979.58,1981.71"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/488","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and chose to renounce the very things","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1981.71,1985.4"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/489","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for which she had been celebrated:","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1985.4,1987.32"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/490","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"her voice and her beauty.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1987.32,1989.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/491","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She sold her jewels,\ndestroyed her records,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1989.15,1992.78"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/492","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and dedicated herself to God.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1992.78,1994.853"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/493","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The historical category of cancionista","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=1999.59,2002.29"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/494","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"marks the professionalization\nof women within tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2002.29,2006.46"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/495","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"especially considering\nthe limited presence","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2006.46,2009.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/496","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of female instrumentalists.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2009.43,2011.5"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/497","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Cancionistas carved out a\ndistinct space in the tango scene","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2011.5,2015.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/498","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"through their unique struggles,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2015.97,2017.71"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/499","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"bodies and voices.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2017.71,2019.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/500","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"During the 1920s and 1930s,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2019.57,2022.201"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/501","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"tango cancionistas gained\nunprecedented visibility,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2022.201,2025.9"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/502","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"moving beyond stereotypical female roles","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2025.9,2028.78"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/503","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to exercise their right to\ndecide, acknowledgement, success,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2028.78,2033.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/504","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and in some cases, to\nultimately disappear,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2033.16,2036.61"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/505","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as seen in the life of Ada Falcón.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2036.61,2038.917"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/506","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The emotional landscape of\ntango during these decades","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2038.917,2042.34"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/507","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is enriched by the distinct\ntimbre of the cancionistas.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2042.34,2046.12"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/508","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The voices of Falcón and Merello and others","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2046.12,2049.39"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/509","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"reshaped and expanded tango styles","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2049.39,2052.0"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/510","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"while helping to elevate the genre","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2052.0,2054.79"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/511","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as a mass phenomenon and a cornerstone","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2054.79,2057.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/512","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the Argentine cultural identity.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2057.49,2060.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/513","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In retrospect, each of these singers","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2060.25,2063.34"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/514","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"embodies a unique way of\nliving and feeling tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2063.34,2067.333"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/515","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Thank you very much.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2070.45,2071.341"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/516","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(attendees applauding)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049#t=2071.341,2074.591"}]},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157810/file/288049/transcript/83135/annotation/517","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/083/135/original/2024-11-22_paper_panel_2-00.01.46.208-00.36.25.585_romina_%28240p%29.srt.vtt?1755554817","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/083/135/original/2024-11-22_paper_panel_2-00.01.46.208-00.36.25.585_romina_%28240p%29.srt.vtt?1755554817"}]}]}]}