{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://aviary.ecds.emory.edu/iiif/7d2q52h72m/manifest","type":"Manifest","label":{"en":["Paper Panel 4: Matthew Karush, 2024-11-22"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/040/original/eu-logo-shield.png?1608761524","metadata":[],"provider":[{"id":"https://aviary.ecds.emory.edu/aboutus","type":"Agent","label":{"en":["Emory University"]},"homepage":[{"id":"https://aviary.ecds.emory.edu/","type":"Text","label":{"en":["Emory 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[Transcript]"]},"items":[{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(object thumping)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1.425,4.771"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(feet thumping)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=4.771,7.438"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(people chattering)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=11.189,14.272"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Kristin] I'll just speak\nloudly, as people can judge.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=18.18,20.46"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Our second presenter is Matthew Karush,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=20.46,23.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"who's a professor of history","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=23.76,25.47"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the chair of the History Department","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=25.47,26.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"at George Mason University in Fairfax,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=26.91,29.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and he's a co-editor of the\nJournal of Social History","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=29.76,32.19"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and expert in Argentine\npolitical and cultural history.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=32.19,35.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He's author of several books,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=35.49,36.84"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"including \"Musicians in Transit:","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=36.84,39.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Argentina and the\nCollaboration of Popular Music\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=39.15,42.39"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Just also wanted to add that\nit was really just a delight","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=42.39,46.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to, for me, as a musician, Kacey found him","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=46.23,49.8"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in our first book, you know,\n2016 book, \"Tracing Tangueros.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=49.8,54.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She referred to him a lot,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=54.15,55.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"'cause Kacey did more of\nthe history and culture part","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=55.26,58.32"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the performance practice of the book,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=58.32,60.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and I did sort more of the\ncomposition and theory stuff,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=60.06,62.94"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but, so I got to know Matt,\nreally, through Kacey.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=62.94,66.36"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"That was a really wonderful connection.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=66.36,68.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And then, when we were\nlooking for contributors","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=68.91,72.39"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for our Cambridge edited volume,\nwe were just so fortunate","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=72.39,76.44"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that Matt signed on with us.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=76.44,78.24"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So the title of his paper\ntoday is, where are we,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=78.24,82.563"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"From International\nFad to Local Tradition:","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=83.527,85.77"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The Myth of Tango Essentialism,\" and Matt,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=85.77,88.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"see, I have your, this working?","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=88.26,89.81"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Matt] So, is this on, hello?","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=93.681,96.264"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yeah?","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=100.517,101.35"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- Yes.\n- Yeah.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=101.35,102.183"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(person coughs)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=102.183,104.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(people chattering)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=106.349,109.349"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Matt] For 45 minutes?","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=130.266,131.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"All right.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=131.66,132.493"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yeah, just-","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=133.59,134.431"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- 25.\n- Great.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=134.431,135.514"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Okay.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=142.852,143.685"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Didn't need to advance, hold on.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=144.54,146.14"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Oh, no music in this presentation,\nfor which I apologize,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=148.14,151.14"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but I've had too many\nof those bad experiences","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=151.14,154.2"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"trying to play music through a PowerPoint,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=154.2,155.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and I saw my code.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=155.85,157.045"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(person laughing)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=157.045,157.878"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"All of you all struggling with that,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=157.878,158.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so I'm very happy that I don't have it.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=158.91,160.86"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So, first of all, let me say thank you","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=162.54,164.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to Kacey and to Kristin,\n'cause it's definitely my,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=164.25,168.183"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"like I'm the lucky one in this partnership","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=169.41,171.03"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to have been invited\nto participate in this.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=171.03,172.41"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm not a, I've never thought of myself","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=172.41,174.45"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as a expert in tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=174.45,176.493"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm a cultural historian,\nand in the course","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=179.28,181.89"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of a bunch of different projects","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=181.89,183.93"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on Argentine cultural history, you know,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=183.93,186.42"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"it's kind of inevitable","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=186.42,187.32"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that if that's what you're interested in,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=187.32,188.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you're gonna intersect with the tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=188.76,190.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so I've sort of crossed\npaths with the tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=190.22,193.773"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and it was just a thrill\nto be able to participate","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=195.39,197.722"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in such a great volume, and\nnow again in this conference,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=197.722,201.54"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"where I'm bringing so much,\nso thank you for that.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=201.54,204.04"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I think I'll start with\na plug, shameless, sorry.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=205.56,209.823"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So, the paper I'm gonna\npresent is not the chapter","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=211.05,214.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that I wrote for the book.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=214.23,215.638"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It has nothing to do with that chapter,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=215.638,216.471"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which is about the\nintersections between tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=216.471,219.39"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and Argentine politics over\nthe course of the 20th century.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=219.39,223.08"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm not gonna talk about that.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=223.08,224.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Instead, I thought I would\npull out some threads","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=224.76,227.37"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from this project that I did\nwith a colleague of mine.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=227.37,230.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This is a digital project\nthat was funded by the NEH,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=230.49,233.742"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which looks at the early, as it says,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=233.742,236.13"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"explores the early decades\nof the recording industry,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=236.13,238.71"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"posing new questions about\nthe origins of popular music,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=238.71,240.96"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the tango features here","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=240.96,242.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"alongside lots of other\ndifferent kinds of music.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=242.25,244.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And so some of the arguments\nthat we tried to make","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=244.02,246.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on the website, I'm sort\nof pulling from for this,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=246.15,250.53"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for this presentation.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=250.53,251.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"To contemporary ears and\neyes, the tango is unique.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=253.41,257.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Both practitioners and\naudience members understand it","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=257.85,260.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as essentially different from other forms","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=260.49,262.35"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of music and dance.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=262.35,264.21"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This uniqueness is most often understood","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=264.21,266.37"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to reflect tango's deep local roots.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=266.37,269.64"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"According to this common sense,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=269.64,271.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"tango is the music and\ndance of Buenos Aires,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=271.23,273.99"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or some versions of Buenos\nAires and Montevideo.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=273.99,277.59"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/91","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"As a product of the specific\nemotional and cultural world","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=277.59,280.5"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/92","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of that city, it sounds,\nlooks, and feels different","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=280.5,284.46"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/93","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from music and dance from\nother parts of the world.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=284.46,287.01"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/94","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Even a modernizer like Astor\nPiazzolla understood the tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=288.3,292.71"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/95","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to be an expression of a unique Argentine","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=292.71,294.81"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/96","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or porteño sensibility.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=294.81,296.73"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/97","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"After recording with Italian\nmusicians in the 1970s,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=296.73,299.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/98","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"he complained that,\n\"They impregnate my works","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=299.43,302.04"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/99","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with the smell of pizza","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=302.04,303.36"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/100","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"when I'm looking for the aroma of asado[roast],\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=303.36,306.304"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/101","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which I find very ironic,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=306.304,308.082"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/102","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"'cause Buenos Aires kind\nof smells like pizza, so.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=308.082,309.944"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/103","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(people laughing)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=309.944,310.777"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/104","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"That's a separate, separate point.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=310.777,312.75"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/105","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In the recent film, \"Los delincuentes,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=312.75,314.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/106","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which I'm kind of obsessed with,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=314.25,315.33"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/107","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that we bring it up in every conversation,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=315.33,317.52"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/108","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Rodrigo Moreno, like many\nfilmmakers before him, uses tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=317.52,321.115"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/109","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in this case, ironically,\nPiazzolla's collaboration","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=321.115,323.94"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/110","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with the jazz saxophonist, Gerry Mulligan,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=323.94,326.79"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/111","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to capture the indefinable yet\ninstantly recognizable feel","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=326.79,330.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/112","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and flavor of Buenos Aires.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=330.15,331.563"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/113","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And yet, the tango didn't\nalways sound unique.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=332.493,335.553"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/114","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In its origins, tango\nmusic was not a product","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=336.45,339.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/115","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of deep Argentine or porteño tradition,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=339.06,342.09"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/116","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but a cosmopolitan hybrid 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candombe.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=447.18,449.04"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/155","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Given these connections to the\nhabanera and to the candombe,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=449.04,452.037"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/156","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the tango can be considered\nan Afro-diasporic 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constructed","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=672.78,675.03"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/247","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and shaped local markets,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=675.03,677.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/248","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"even as it facilitated the\ninternational 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Americas.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=687.15,689.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/253","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"As Lara Putnam reveals in her account","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=689.97,691.89"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/254","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the migrant cultures of\nthe Jazz Age Caribbean bands","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=691.89,694.86"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/255","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in such port cities as Colón, Panama","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=694.86,697.29"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/256","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and Puerto Limón in Costa\nRica, performed tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=697.29,700.68"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/257","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"alongside mento, merengue,\ndanzón, and the shimmy.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=700.68,704.28"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/258","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And if the tango rubbed\nelbows with these 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(speaks faintly)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=719.22,721.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/264","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"One of them is the \"Tango,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=721.95,723.565"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/265","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the other is \"El 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variation","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=760.14,763.29"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/280","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on a global Afro-diasporic community.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=763.29,765.333"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/281","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Given that it was enjoyed","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=766.56,767.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/282","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"alongside these other\npopular dance genres,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=767.55,769.83"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/283","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"it is perhaps not 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1910","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=774.69,777.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/286","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"reveal a music based\non the habanera rhythm","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=777.27,779.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/287","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that sounds quite similar to the maxixe,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=779.91,782.1"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/288","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"another dance genre built on habanera.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=782.1,784.233"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/289","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The transnational circulation of the tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=785.64,788.1"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/290","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"yielded a fertile process\nof musical borrowing.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=788.1,790.683"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/291","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"St. Louis Blues,\" a prominent\npiece in the early jazz","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=793.657,796.35"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/292","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and blues repertoire written\nby the Black composer,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=796.35,798.45"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/293","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"W.C. Handy, featured an A\nsection in the habanera rhythm,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=798.45,802.38"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/294","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a choice that reflected the\nglobal popularity of tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=802.38,805.74"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/295","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Handy himself explained\nhis use of this 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day.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=809.61,811.56"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/298","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"When \"St. Louis Blues\" was\nwritten, the tango was in vogue.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=811.56,815.13"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/299","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This same tango rhythm\nfeatured prominently in works","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=815.13,817.74"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/300","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by the New Orleans\npianist Jelly Roll Morton,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=817.74,820.08"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/301","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"who described it as a Spanish\ntinge essential to jazz.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=820.08,823.47"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/302","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The tango, alongside other\ngenres based on the habanera","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=823.47,826.827"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/303","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and habanera-related rhythmic motifs","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=826.827,829.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/304","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"such as the Cuban danzón,\ncirculated widely,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=829.02,832.56"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/305","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"interacting in a complex\nprocess of transculturation","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=832.56,835.38"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/306","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that nourished musical innovation.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=835.38,837.72"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/307","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The early history of jazz\nin New Orleans and elsewhere","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=837.72,840.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/308","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is inseparable from these developments,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=840.06,841.89"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/309","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as Washburne, Moore, and others have shown.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=841.89,845.01"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/310","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The circulation of tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=845.01,846.33"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/311","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"along transnational cultural\ncircuits transformed the genre","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=846.33,850.17"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/312","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"into a preeminent symbol of Argentina.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=850.17,852.87"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/313","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"A steady flow of Argentine\nmusicians and dancers","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=852.87,855.33"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/314","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"traveled to Europe and the United States","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=855.33,857.34"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/315","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the 1910s and 1920s.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=857.34,859.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/316","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Right, and you know that,\nthanks to Anahí's work.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=859.91,862.98"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/317","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In an effort to appeal to the\npreference for the exotic,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=862.98,865.32"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/318","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"these musicians often\nperformed in gaucho attire,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=865.32,867.81"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/319","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the better to symbolize an\nalluring foreign culture.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=867.81,870.78"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/320","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"By 1921, this association\nwas well established.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=870.78,874.379"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/321","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We just heard about \"The Four\nHorsemen of the Apocalypse.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=874.379,877.347"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/322","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Rudolph Valentino performed\nhis legendary tango dance","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=881.25,883.65"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/323","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in \"The Four Horsemen of the Apocalypse\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=883.65,885.12"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/324","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in an idiosyncratic gaucho costume.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=885.12,887.669"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/325","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(people laughing)","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=887.669,888.502"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/326","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Even though this exoticism\nstruck many Argentines","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=888.502,891.21"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/327","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as strange, the expectations of European","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=891.21,893.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/328","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and North American audiences\nexerted a significant influence","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=893.49,896.13"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/329","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on how the music signified.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=896.13,898.14"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/330","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"By the early 1930s, it was common","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=898.14,899.88"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/331","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for tango singer Carlos\nGardel to be photographed","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=899.88,902.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/332","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in gaucho attire.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=902.16,903.78"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/333","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In this way, Hollywood,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=903.78,905.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/334","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the transnational culture\nindustries, more generally,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=905.22,907.53"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/335","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"helped tango become a national symbol,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=907.53,909.96"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/336","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"capable of representing\nboth city and country.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=909.96,912.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/337","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The recording industry reproduced","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=913.71,915.12"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/338","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and intensified this nationalizing effect.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=915.12,918.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/339","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Victor Records divided its\nproducts into serious music","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=918.57,921.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/340","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of European origin, which\nit sold to consumers","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=921.57,924.36"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/341","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"all over the world through\na marketing strategy","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=924.36,926.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/342","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that promised cultural\nuplift, and on the other hand,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=926.25,929.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/343","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the local music of far-flung places,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=929.55,931.77"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/344","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which it deemed suitable\nonly for those local markets","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=931.77,934.29"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/345","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or for US-based immigrant communities.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=934.29,937.2"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/346","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"What Karl Miller calls\nthe \"local music paradigm\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=937.2,940.08"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/347","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"encouraged Victor and competitors","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=940.08,941.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/348","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"like the German conglomerate,\nOdeon, to record music","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=941.85,945.21"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/349","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that appealed to local 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recording,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=948.39,950.94"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/352","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but it had other consequences as well.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=950.94,953.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/353","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It meant that Argentine\nmusicians were only allowed","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=953.25,956.07"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/354","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to record popular music and\nwere encouraged over time","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=956.07,958.77"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/355","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to specialize in genres\nthat were seen as Argentine.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=958.77,961.593"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/356","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The record companies then\nmarketed these records","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=962.49,964.71"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/357","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as musical expressions of the nation.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=964.71,967.263"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/358","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Odeon's catalog, for\nexample, proclaimed itself","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=969.45,972.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/359","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as \"el archivo de todo lo criollo\" [or]","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=972.15,975.75"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/360","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the \"archive of everything native,\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=975.75,976.92"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/361","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"whereas \"la más fiel expresión del arte criollo\" [or the]","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=976.92,980.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/362","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"most faithful expression of native art.\"","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=980.25,983.79"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/363","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In the early years,\nFrancisco Canaro's band","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=983.79,985.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/364","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"recorded jazz tunes alongside\nits tango offerings,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=985.95,989.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/365","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as I'm sure many of you\nknow, but increasingly,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=989.16,991.267"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/366","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"orquestas tipicas, as\ntango bands were known,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=991.267,993.87"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/367","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"focused exclusively on\nthe local dance genre.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=993.87,996.96"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/368","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Argentine jazz bands did\nrecord for Odeon and Victor,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=996.96,999.54"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/369","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but much less frequently\nthan the tango specialists,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=999.54,1001.82"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/370","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"since the multinationals\ncould satisfy the local taste","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1001.82,1004.28"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/371","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for jazz with North American recordings.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1004.28,1006.98"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/372","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Finally, rural folk genres\nwere also represented","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1006.98,1009.77"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/373","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the record catalogs in the 1920s,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1009.77,1011.99"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/374","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but they were far outnumbered by tangos,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1011.99,1015.011"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/375","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and I'm getting a lot of this\nfrom Marina Cañardo","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1015.011,1018.77"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/376","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"early recording constraints.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1018.77,1020.99"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/377","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In fact, one could say\nthat the record companies","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1020.99,1023.33"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/378","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"reinforced the cultural\ndominance of Buenos Aires","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1023.33,1026.18"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/379","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"over the interior of the country.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1026.18,1028.19"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/380","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Singing stars like Carlos\nGardel and Rosita Quiroga","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1028.19,1031.46"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/381","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"were both convinced by\ntheir record companies,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1031.46,1033.47"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/382","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Odeon and Victor,\nrespectively, to move away","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1033.47,1036.08"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/383","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from genres associated\nwith rural Argentina","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1036.08,1038.54"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/384","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in favor of tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1038.54,1039.653"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/385","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Victor and Odeon approached Argentina","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1040.49,1042.92"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/386","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as a single local market,\none that Buenos Aires,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1042.92,1046.1"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/387","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with its diverse cosmopolitan population","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1046.1,1048.65"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/388","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and its economic and political\npower, easily dominated.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1048.65,1051.4"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/389","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The association forged between the tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1052.385,1055.28"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/390","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and Argentine national identity","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1055.28,1057.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/391","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"decisively shaped the genre's evolution,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1058.58,1060.71"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/392","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"discouraging the sort of\ntransnational musical exchange","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1060.71,1063.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/393","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that phonograph technology\nhad initially facilitated.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1063.95,1068.3"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/394","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In other words, the\nrecord industry's tendency","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1068.3,1070.52"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/395","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to nationalize local musics\nreduced the opportunities","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1070.52,1073.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/396","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for cross-cultural give and take.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1073.97,1076.37"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/397","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In the United States,\ntango was trivialized","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1076.37,1078.89"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/398","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as an exotic novelty,\nwhile record companies","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1078.89,1081.68"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/399","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"marketed Argentine\nversions only to Argentine,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1081.68,1083.93"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/400","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and to some extent, other\nLatin American audiences.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1083.93,1086.99"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/401","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In Argentina, a new guard\nof composers, bandleaders,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1086.99,1090.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/402","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and instrumentalists\nbegan to push the tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1090.02,1092.03"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/403","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in new directions, as you all know.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1092.03,1093.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/404","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Most of these musicians were\nfrom middle-class families","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1093.95,1096.14"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/405","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and had received some level\nof formal musical education.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1096.14,1098.75"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/406","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"They produced more\nsophisticated compositions","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1098.75,1100.79"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/407","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and arrangements than\nthose of their old guard","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1100.79,1102.8"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/408","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or traditionalist colleagues,\nemploying counterpoint,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1102.8,1105.65"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/409","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"polyphony, and complex harmony.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1105.65,1107.866"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/410","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Rhythmically, they tended\nto abandon the habanera","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1107.866,1110.51"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/411","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in favor of a four-beat measure","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1110.51,1112.07"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/412","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and more subtle syncopations.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1112.07,1114.14"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/413","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"These musical innovations,\noccurring just at the same time","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1114.14,1117.02"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/414","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as Louis Armstrong, Duke\nEllington, Fletcher Henderson,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1117.02,1119.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/415","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and others were revolutionizing jazz,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1119.66,1122.12"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/416","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"were not disseminated to\nNorth American audiences","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1122.12,1124.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/417","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and had virtually no impact\non musical developments","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1124.22,1127.455"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/418","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the United States and mostly\nto the rest of the world.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1127.455,1130.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/419","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"A similar process occurred in\nBrazil as the maxixe gave way","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1130.76,1134.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/420","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to a new distinctively\nsyncopated form of samba","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1134.57,1137.51"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/421","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in Rio de Janeiro.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1137.51,1139.1"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/422","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"As a result, Argentine\ntango, Brazilian samba,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1139.1,1142.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/423","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and American jazz now sounded\nincreasingly distinct.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1142.43,1146.69"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/424","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In this sense, the very idea\nof the tango as a local music,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1146.69,1150.29"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/425","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"an expression of a musical\nculture that is distinctive","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1150.29,1152.66"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/426","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to a particular place,\nwas largely an artifact","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1152.66,1155.75"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/427","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the structure and strategies","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1155.75,1157.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/428","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the global record industry.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1157.49,1158.99"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/429","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The international\ndivision of labor imposed","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1160.91,1163.4"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/430","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by multinational record\ncompanies reinforced the prestige","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1163.4,1166.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/431","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that attached to North American records,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1166.49,1168.83"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/432","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"leading Argentine musicians and consumers","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1168.83,1170.81"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/433","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to associate those sounds with modernity,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1170.81,1173.21"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/434","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and thereby influencing the direction","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1173.21,1174.74"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/435","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of tango's development.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1174.74,1176.45"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/436","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Portenos expressed a powerful desire","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1176.45,1179.42"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/437","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to engage with cosmopolitan modernity.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1179.42,1182.183"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/438","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"They embraced Argentine\ngenres such as the tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1184.25,1187.07"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/439","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as part of a diverse menu","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1187.07,1188.734"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/440","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the latest cosmopolitan\nentertainment offerings.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1188.734,1192.14"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/441","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Victor and Odeon marketed\nrecordings in a range of genres,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1192.14,1196.28"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/442","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"including Argentine\nones such as the estilo","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1196.28,1198.838"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/443","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the (speaks in a foreign language),","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1198.838,1200.03"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/444","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but also foreign ones such as\nthe pasodoble and the polka.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1200.03,1203.69"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/445","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"However, the two genres that\ndominated were the tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1203.69,1205.817"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/446","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the foxtrot, the North\nAmerican dance band genre","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1205.817,1209.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/447","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that would later be called jazz.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1209.15,1211.07"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/448","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"By the next decade, this\npattern would be reproduced","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1211.07,1213.17"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/449","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on Buenos Aires radio\nwaves, where tango accounted","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1213.17,1216.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/450","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for some 52% of programming,\nand jazz came in second at 20%.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1216.23,1221.23"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/451","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Those are Andrea Macasiano's numbers.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1221.6,1222.643"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/452","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Here's this advertisement\nis pretty typical","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1224.06,1227.495"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/453","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of record catalogs at the time,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1227.495,1231.68"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/454","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"where you can sort of\nsee a clear distinction","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1231.68,1234.44"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/455","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"between the Argentine\nofferings, namely, tango","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1234.44,1238.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/456","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and what we would call jazz,\nand the Red Seal Records,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1239.9,1243.26"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/457","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that saved the real phone\nrecords on the European art.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1243.26,1245.963"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/458","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And this is a radio,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1249.35,1251.873"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/459","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"an advertisement for a radio show","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1252.8,1254.09"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/460","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that played both tango\nand jazz, and this is,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1254.09,1257.36"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/461","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I would argue anyway,\nincreasingly how tango appeared","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1257.36,1260.441"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/462","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the media, in Buenos\nAires at least, in the 1930s,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1260.441,1263.863"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/463","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as a kind of counterpart to\njazz, but I've argued elsewhere","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1264.95,1268.675"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/464","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that was a kind of\nalternative modernism to jazz.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1268.675,1272.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/465","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Thus, even as the tango lost its capacity","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1276.863,1279.56"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/466","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to influence musical developments\nin the United States,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1279.56,1282.32"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/467","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"jazz continued to exert a\nprofound influence on tango.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1282.32,1285.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/468","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"As I've argued elsewhere, the\ntango's commercial success","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1285.95,1288.35"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/469","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the 1920s and '30s,\nwell, I just said this,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1288.35,1290.72"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/470","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"owed a great deal to its capacity","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1290.72,1292.07"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/471","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to offer Argentine consumers\nan alternative modernism,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1292.07,1294.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/472","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"an expression of local identity\nthat was every bit as modern","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1294.95,1297.35"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/473","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as the North American model.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1297.35,1299.36"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/474","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"New guard musicians\nsuch as Osvaldo Fresedo,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1299.36,1301.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/475","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Juan Carlos Cobian, Julio de Caro","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1301.85,1303.817"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/476","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"sought to emulate certain aspects of jazz,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1303.817,1307.13"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/477","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"performance, attire, syncopation,\nharmonic sophistication,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1307.13,1309.98"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/478","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"occasionally, instrumentation,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1309.98,1311.87"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/479","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"while preserving the\ngenre's distinctiveness.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1311.87,1314.45"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/480","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"New guard tango was no imitation\nof jazz by any stretch,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1314.45,1318.05"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/481","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but it certainly reflected an aspiration","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1318.05,1320.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/482","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to a North American cultural standard.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1320.27,1322.7"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/483","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The goal, in a sense, if we\ncan reduce it just for a minute","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1322.7,1325.49"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/484","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to its kind of marketing logic,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1325.49,1328.01"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/485","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the goal was to occupy the\nlocal or national music niche","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1328.01,1331.88"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/486","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the Argentine marketplace","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1331.88,1333.56"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/487","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as constructed by the\nglobal record industry.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1333.56,1336.38"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/488","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"At this point, it might be useful","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1336.38,1337.79"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/489","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to compare tango's trajectory","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1337.79,1339.74"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/490","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to that of another\ncontemporaneous musical genre","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1339.74,1342.62"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/491","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"strongly associated with an\nessentialist myth, blues.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1342.62,1347.183"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/492","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Blues is most often\nunderstood as a product","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1348.11,1351.29"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/493","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of deep Southern African\nAmerican tradition.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1351.29,1354.74"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/494","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In most accounts of\nAmerican music history,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1354.74,1356.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/495","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"it figures as a root, a\nbuilding block of later genres.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1356.57,1360.083"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/496","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Although some of its key elements derive","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1361.01,1362.84"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/497","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from ancient practices, of course,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1362.84,1364.4"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/498","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the blues, like the tango,\nbegan as a pop music fad","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1364.4,1367.61"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/499","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"disseminated by the sheet\nmusic and recording industries.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1367.61,1371.24"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/500","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"After W.C. Handy's \"Memphis Blues\"\nlaunched the craze in 1912,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1371.24,1375.98"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/501","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the blues was recorded\nfirst by white singers","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1375.98,1378.32"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/502","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"imitating African American performers.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1378.32,1380.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/503","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Then in the 1920s by African\nAmerican vaudeville stars","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1380.63,1383.84"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/504","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"like Bessie Smith, and only afterwards","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1383.84,1386.63"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/505","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by itinerant African American musicians","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1386.63,1388.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/506","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"like Blind Lemon Jefferson\nand Robert Johnson.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1388.85,1392.783"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/507","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Though they were marketed\nas folk musicians,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1393.71,1396.47"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/508","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"these blues men were deeply influenced","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1396.47,1398.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/509","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by commercial and cosmopolitan trends.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1398.27,1400.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/510","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"They listened to Bessie Smith\nand Ethel Waters records,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1400.85,1403.742"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/511","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and they even adopted the slide guitar","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1403.742,1406.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/512","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from the style played by\ntouring musicians from Hawaii.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1406.16,1408.91"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/513","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Moreover, they played a\nwide array of musical genres","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1410.06,1412.52"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/514","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that did not make it onto record.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1412.52,1413.987"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/515","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And this is something that\nwe heard about earlier","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1413.987,1416.69"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/516","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from Morgan.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1416.69,1417.523"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/517","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"They played a wide array of musical genres","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1418.52,1419.693"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/518","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that did not make it onto record.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1419.693,1421.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/519","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Just as Odeon encouraged Carlos\nGardel to focus on tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1421.16,1423.95"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/520","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"record companies insisted that\nblues men record only blues.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1423.95,1427.64"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/521","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"As in the case of tango,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1427.64,1428.72"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/522","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"it was primarily the recording industry","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1428.72,1430.22"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/523","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that invented the idea that\nblues was a local tradition","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1430.22,1433.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/524","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"rather than a recent\ninnovation produced by artists","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1433.97,1436.67"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/525","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"working with cosmopolitan materials","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1436.67,1438.71"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/526","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that circulated along commercial circuits.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1438.71,1440.903"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/527","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Both blues and tango would\nacquire romantic backstories,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1442.07,1445.61"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/528","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the blues as an expression\nof the suffering experienced","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1445.61,1448.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/529","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by an oppressed minority,\nand the tango as a product","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1448.16,1451.07"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/530","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of Buenos Aires arrabales","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1451.07,1452.48"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/531","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"filled with compadritos and milonguitas.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1452.48,1453.547"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/532","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Here, though, the stories\nof blues and tango diverged.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1455.51,1459.38"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/533","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Blues music exerted a powerful influence","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1459.38,1461.27"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/534","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on the developing genre of jazz,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1461.27,1463.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/535","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but blues itself was essentialized","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1463.55,1465.83"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/536","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"through the lens of primitivism.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1465.83,1467.69"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/537","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In the hands of folklorists,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1467.69,1469.31"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/538","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"it was reframed as\nnon-commercial and pre-modern,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1469.31,1472.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/539","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a traditional communal practice","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1472.97,1474.71"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/540","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"rather than a genre invented\nby professional musicians.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1474.71,1478.19"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/541","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"For two reasons, tango essentialism\nfunctioned differently,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1478.19,1481.55"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/542","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I would argue.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1481.55,1482.45"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/543","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"First, as we've seen,\nthe recording industry","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1482.45,1485.3"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/544","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"nationalized the tango as\nthe sonic representation","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1485.3,1488.3"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/545","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of Argentina and the nation's\ndominant commercial music.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1488.3,1491.0"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/546","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It needed to appeal to urban\naudiences who craved modernity.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1491.0,1495.47"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/547","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Second, the whitening of\nArgentine national identity meant","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1495.47,1499.1"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/548","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that tango's Afro-diasporic\norigins were quickly erased.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1499.1,1503.06"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/549","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Other genres would\neventually be discovered","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1503.06,1504.83"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/550","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by folklorists seeking Argentine forms","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1504.83,1506.9"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/551","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of musical primitivism.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1506.9,1508.67"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/552","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Eventually, folk music\nbased on those roots","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1508.67,1511.25"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/553","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"would challenge tango's capacity\nto represent the nation.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1511.25,1514.82"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/554","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Tango thrived commercially,\nbut unlike Brazilian samba,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1514.82,1517.97"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/555","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for example, it did not\nattain permanent status","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1517.97,1520.82"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/556","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as the musical embodiment of a nation.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1520.82,1523.43"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/557","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Instead, tango functioned as\nArgentina's modern alternative","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1523.43,1526.79"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/558","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to jazz through the 1940s,\nuntil the waning popularity","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1526.79,1530.84"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/559","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of big band jazz made\ntango appear old-fashioned.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1530.84,1533.813"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/560","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yet even if tango lost much\nof its audience at that point,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1535.55,1538.19"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/561","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the essentialist myth produced\nby the recording industry","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1538.19,1540.8"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/562","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"enabled the genre to survive\nas an evocative emblem","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1540.8,1544.19"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/563","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of Buenos Aires, a powerful\ngenerator of nostalgia.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1544.19,1547.373"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/564","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The tango story then\nis a distinctive twist","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1548.96,1551.42"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/565","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on a common path.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1551.42,1552.623"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/566","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Like blues, jazz, danzón, and maxixe,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1553.49,1556.193"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/567","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"tango was a cosmopolitan\npop music made possible","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1557.42,1560.45"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/568","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by transnational\nprocesses and disseminated","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1560.45,1562.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/569","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by the record industry.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1562.76,1564.71"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/570","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It shared global dance floors","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1564.71,1566.39"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/571","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with other Afro-diasporic\nmusic and dance genres,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1566.39,1569.24"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/572","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and it participated in a\nrich, multilateral process","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1569.24,1572.57"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/573","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of innovation and influence.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1572.57,1575.36"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/574","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"However, by the 1920s,\nthe recording industry","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1575.36,1578.12"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/575","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"had reshaped global cultural circuits,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1578.12,1581.48"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/576","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"marketing these genres to local audiences","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1581.48,1584.15"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/577","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"while promising North\nAmerican and European music,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1584.15,1586.76"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/578","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"excuse me, while promoting North\nAmerican and European music","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1586.76,1589.16"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/579","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"across the globe.","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1589.16,1590.183"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/580","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The marketing strategies that 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obscured,","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1608.03,1610.85"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/589","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the genre came to be\nunderstood as deeply rooted in","format":"text/plain"},"target":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054#t=1610.85,1613.64"},{"id":"https://aviary.ecds.emory.edu/collections/3408/collection_resources/157815/file/288054/transcript/83139/annotation/590","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and expressive of porteño 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